Writing

2023

"I went for a walk and saw my own dystopian art: A reflection on the policing and control of public health responses to the pandemic", Meanjin Quarterly, vol. 82, Winter 2023.

2022

"Listening to Torture and Calling It Music: The Sonic Palette of Bebe and Louis Barron", Ellipses: Returning to Time Knots and Techno Utopias, Disclaimer journal, December 2022.

2017

"Manifesto for the New Political Pop Song", Demos: We Have Never Been Democratic, Public Journal, Volume 28, Number 55, June 2017.

"Writing as Praxis: An Interview with Nina Power", Demos: We Have Never Been Democratic, Public Journal, Issue 55, Spring.

2014

“Football: there is an alternative”, essay for Three Teams by Gabrielle de Vietri.

“Collapsed Boundaries: a dialogue between Catherine Ryan and Elizabeth Dunn”, reflective text in Flyway book, Aphids Records.

2013

“Beware  of Facts! An Unsystematic Consideration of Ignorance (with reference to  Socrates, Rancière, Breton, Wordsworth, Cervantes, Montaigne, Kant and  Artaud)”, essay for Ignoramus Anonymous by Malcolm  Whittaker. State Library of New South Wales, Sydney; Junction Arts  Festival, SawtoothARI, Launceston; The Wheeler Centre, Melbourne.

“On the Nature of Concrete Things”, text for A Promise of Gravel by Johanna Nordin and Marja Knape, West Space, Melbourne.

2012

“Review: Alain Badiou’s Wittgenstein’s Antiphilosophy”, Colloquy: text theory critique, issue 24, November.

“Field Guide”, text for Flyway by Elizabeth Dunn, Next Wave Festival, Melbourne. Translated into Dutch for Flyway's presentation at Operadagen 2014 in Rotterdam, Netherlands and into Bulgarian for Flyway's presentation in Varna, Bulgaria at Music Theatre NOW 2014.

“Wednesday”, poem, Perita Reperta, no. 4, Chandler and Company, May.

“Lonely Hearts: Five Fragments”, catalogue essay for Lonely Hearts by Amy Spiers and Lara Thoms, Platform Public Contemporary Art Spaces, Melbourne.

“Occupy Melbourne: Four Melbourne writers on the Occupy Melbourne Eviction Day”, Arena Magazine, no. 115, December.